Moore has a lot to say on his chosen subject of violence in America and he tends to drift from one aspect to the next. Although these topics are all very interesting, especially due to the unexpected twist of humor presented, but the wealth of statistics and various opinions make the film attain a drudgy feeling while it should be energetic. One of the problems is the deceiving interview with NRA president, Charlton Heston. Moore attempts to corner Heston into making a statement as to why America is so in love with guns and to why there is so much violence. Heston, who is portrayed as an obvious unfierce creature, was unable to answer Moores questions due to the documentarian's satisfaction and the interview descended to a badgering session. While having the head of the National Rifle Association as one of his subjects is an asset to Moore's project, the lack of definitive answers makes the "big finale" fall flat, although the picture left behind by Moore, speaks a thousand words.
Thursday, 22 May 2014
Bowling for columbine(unfinished)
Moore has a lot to say on his chosen subject of violence in America and he tends to drift from one aspect to the next. Although these topics are all very interesting, especially due to the unexpected twist of humor presented, but the wealth of statistics and various opinions make the film attain a drudgy feeling while it should be energetic. One of the problems is the deceiving interview with NRA president, Charlton Heston. Moore attempts to corner Heston into making a statement as to why America is so in love with guns and to why there is so much violence. Heston, who is portrayed as an obvious unfierce creature, was unable to answer Moores questions due to the documentarian's satisfaction and the interview descended to a badgering session. While having the head of the National Rifle Association as one of his subjects is an asset to Moore's project, the lack of definitive answers makes the "big finale" fall flat, although the picture left behind by Moore, speaks a thousand words.
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